As an archivist working with artist archives, one of my greatest sensitivities is ensuring that the logic of how an artist maintained his/her studio is recognized and preserved. Best practices must include maintaining that logic when preparing the materials for transfer to an archival repository, be it a museum, academic institution, or foundation study center. Preserving original order is a basic tenet in archival practice, but not always recognized when an estate is handling an artist’s studio after the artist passes away. Preserving the structure of how an artist used and accessed their resources provides valuable clues to the workflow of the maker.
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With each archival collection I process, another voice enters my head, along with another piece of wisdom. Ideas from a long lost soul have landed in my hands, before landing in the hands of countless others. This is strange kinship seeps into my consciousness. A voice, a thought, an image from a distant time.
Are these errant pieces of mental marginalia I collect beginning to coalesce into one shared memory, hailing from all the collections on which I work. Could there be such a think as an archival murmuration? A flock of ideas morphing into a particular spectacular pattern? read more