As an archivist working with artist archives, one of my greatest sensitivities is ensuring that the logic of how an artist maintained his/her studio is recognized and preserved. Best practices must include maintaining that logic when preparing the materials for transfer to an archival repository, be it a museum, academic institution, or foundation study center. Preserving original order is a basic tenet in archival practice, but not always recognized when an estate is handling an artist’s studio after the artist passes away. Preserving the structure of how an artist used and accessed their resources provides valuable clues to the workflow of the maker.
Tag Archives | archive
The Magical Mystical Archives of Louis Vuitton
The Louis Vuitton exhibition, “Volez, Voguez, Voyagez – Louis Vuitton” installed inside the old American Stock Exchange building in New York City presents an absolutely stellar use of archival material. Leather lined exhibition cases with tiny brass tacks. Venetian glass chandeliers. Wooden vitrines holding archival documents in sultry-lit environments. The LVMH family tree elegantly silk screened on wood panels. It made me pine for limitless budgets to create installations for every archival collection on which I’ve worked over the years. Imagine… with no expense spared. read more
The Love Letter: Sharing Wisdom on a Curious Kinship
It’s fall, or leaning towards fall, and I’ve been thinking these days about the wisdom inadvertently passed on from any given collection of personal papers. As an archivist, I recognize my curious kinship with the collections on which I work … like the reader who stumbles onto marginalia wedged into the inner margin of a book page, I can’t help but read between the lines and imagine a back story.
These days, I’ve been immersed in a collection of love letters. I am working on companion collections held at Vassar’s archives and special collections library. Most archival collections generally contain only correspondence received by the collection’s donor. In the case of these two complementary collections of beloved faculty members, I am faced with the somewhat unusual opportunity of reading through letters from both author and recipient. read more